All Things Return (I-VI)
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In All Things Return Rasmus B. Strøyer explores the physical properties of some everyday photographs purchased from online marketplaces. The artist uses the photographs as a tangible entry point into deeper questions about existence and temporality.
Physical limitations in the form of passepartout and a series of editing techniques highlights the fragmented and fluid nature of memory and temporal experiences. Strøyer’s approach suggests a nonlinear interpretation of time, embracing it as a complex dynamic interplay of moments.
Through this ontological exploration, the viewer is encouraged to reconsider the potential inherent in each image, prompting reflection not only on the captured moment but also on the interconnectedness of our past, present, and future.
